With a protagonist known mostly for being gorgeous and drowsy, Sleeping Beauty may seem an odd choice for a retelling by the author responsible for inventing the staunch, action-oriented heroines of Beauty and The Hero and the Crown. But as Newbery-medalist McKinley embroiders and expands upon this tale, readers quickly will see that she has created a character (indeed, a cast of characters) worthy of these fictional predecessors. When the evil fairy Pernicia lays her seemingly fatal curse upon the infant princess, the royal child's nanny entrusts the baby to Katriona--an orphan brought up by her powerful fairy aunt--to rear in the safety of her distant, cloistered village.
In one of the many sequences that endow this novel with mythic grandeur, Katriona and her charge travel surreptitiously through the fields and woods, while the female animals of the countryside (vixens, a she-bear and countless others) suckle the royal baby to keep her alive. This unorthodox diet may be the reason the princess--whom Katriona and her aunt call Rosie--can communicate with all creatures. Unaware of her royal heritage (and bored by fairy-tale fripperies), Rosie makes a best friend of Peony, the wainwright's niece, and becomes an apprentice to Narl, the kind but uncommunicative village blacksmith.
When the princess's true identity is finally revealed, and the fate of the realm hangs in the balance, Rosie, Narl and Peony fight a true battle royal to defeat Pernicia's schemes. Dense with magical detail and all-too-human feeling, this luscious, lengthy novel is almost impossible to rush through. Additional treats include a vast array of believable, authentically animal-like characters, complete with inventive, evocative names (a cat called Flinx, dogs that answer to Zogdob and Throstle, and so forth). By the end of this journey through Rosie and Katriona's enchanted land--so thick with magic dust that good housekeeping remains a constant challenge--readers will feel that they know it as well as their own backyards.